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Performing Arts
Clowns
His attentiveness to music and his independence in the face of authority, here portrayed by his violin teacher Pierre Amoyal, lead Buffo into a flowing dance which demonstrates his joy. In a second show entitled Mr. Butterfly, Howard Butten combines his talent as a clown with his psychiatrist's understanding. He tells the story of Hoover Sears, a clown, who is central to the lives of four handicapped people, utterly forgotten by society, who tries to communicate in a different mode, which annoys the institution. Butten addresses the problem of difference, of conventions, and of other people's perception of us with humour, finesse, and tenderness. Theatre A New Jewish Theatre in Berlin
For the first time since 1933, Jewish theatre has reappeared in Berlin. The Jewish Stage of Berlin is directed by
Dan Lahav, an ex-member of Habimah and former student at Marcel Marceau's School for Mime which has
operated in Berlin for the last twenty years. Lahav wants to bring Eastern European Jewish theatre, including
such plays as The Golem, The Dybbuk, and stage adaptations of the stories of Itsik Manger and Shalom
Aleichem, to the public. Most of the actors are German Jews or Israelis living in Berlin.
What's Playing...
In late 2000 and early 2001, a number of plays about the many threads of Judaism were staged in France.
In A Disrupted Life Francine Christophe gives a sober account of the hell of the
camps at Poitiers, Pithiviers, Beaune la Roland, Drancy, and
Bergen Belsen. Fifty years later, she has written an
extremely personal account in A Young Girl of Privilege,
adapted and staged by Philippe Ogouz and starring Mireille
Perrier. The long road from hell that she shared with her
mother included hunger, cold, typhus and above all,
humiliation and fear. Both mother and daughter survived
the nightmare, but not unscathed, and their story remains
haunting. Staged at the beginning of the year, the play will
run in France and in some major European cities.
Liliane Atlan, author of the most
poetic, poignant texts on the
Holocaust, has produced, with
Patrick Hahhiag, a prodigious
work that is staged like a ritual.
This opera was broadcast on
France Culture radio station and
was the subject of many lectures
in a number of institutions in
France and abroad.
The Jesters of Bassan
Company invited us to an
exploration of Jean Pierre
Cannet's text. The play
describes the surprising,
stormy, moving meeting
between Emma, an old
Jewish woman who was
deported, along with her
parents, and a young gypsy
who is also heir to a painful
past.
The major theatre event of the year 2000 was
without any doubt the inclusion in the
repertory of the Comédie Française of Jean-
Claude Grumberg's latest play, Amorphe d'Ottenburg. A terrifying tale somewhere
between King Ubu and Dracula, an opera
bouffe on the political and economic madness
of the totalitarian regime of a royal family.
This satanic waltz, fraught with symbols and
allegories, recalls Nazi barbarity. A great
theatrical moment orchestrated by Jean Michel
Ribes.
At the Théâtre de l'Oeuvre in Paris, staged by Marcel Bluwal, starring Michel Aumont and Robin Renucci, two
talented actors, this play presents the odyssey of a man's search for identity. Serge Kribus writes to exorcise his
fear, "fear of not knowing, fear of knowing, fear of his father, fear of becoming used to being afraid…." He
evokes the conflicted, passionate relationship of two emotional characters who live out the confrontation
between two generations and who confront each other in the transmission of Jewish values from father to son,
the one fighting against forgetting, and the other fighting to forget. Not to be missed during the coming months. Gilles Segal, author of Mr. Schpill and Mr.
Tippeton, has written,
and plays one of the characters in During That Time, Love… at the Cachan Theatre and the Espace Kiron. A
survivor from an extermination camp, an old man remembers how, in the train taking them to hell, a father
continues to teach his 12-year old son geography, literature and philosophy as if life were not about to end.
The work of three authors, including two contemporary writers, has been frequently produced in national
theatres.
Victor
Haïm is a prolific, acerbic writer,
who aptly dissects the many eccentricities
of our society and uses language like a
scalpel. In 2000 and 2001, Victor Haïm's
most popular play, The Visit, brings to life
the brilliant oratory joust between a
psychiatrist and a disturbing visitor.
Velouté (Velvety), another of Haïm's grating
plays, points a finger at the perverse
processes of our competitive and profit-making society. Victor Haïm, Emmanuel Deschartre, and Dominique Arden play the
main characters in this psychological
thriller showing at the Théâtre de l'Essaien. Victor Haïm Yasmina Reza Stephan Zweig was
one of the greatest
Jewish writers of his
generation. His plays
are produced more
and more frequently
in France. Letter
From an Unknown Woman, and The
Chess Player, the
extraordinary tale of
an exceptional chess
player who escapes
the Nazis thanks to
his talent, are the
most popular.
The second event
orchestrated by
Fabienne Ankaoua,
The Ocradek
meetings include
debates, readings,
and dramatizations
by different actors,
historians,
psychoanalysts,
writers and
philosophers. The
theme this year is
The Tragedy of
Being: Jewish and
Greek Heroes.
The Théâtre du Marais is currently running the historical play Jewish
Women by Robert Garnier, a lawyer born in 1544. The play recounts
the story of Nebuchadnezzar, King of the Assyrians, who revolts
against Sedicia. A central work by Robert Garnier, Jewish Women
plunges us into the violent, pitiless universe of wars for power. Eric
Genovese, of the Comédie Française, is the director.
Racine's tragedy is
directed by Daniel
Mesguich, who just
finished the run of The
Devil and The Good
Lord and who is about
to direct Elephant Man.
This moving play
recounts the story of a
persecuted people in
search of dignity and
freedom.
Racine's Esther Newsletter
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